A COURSE IN VITREOUS ENAMEL PAINTING: Step-by-step illustrated guide from beginner through intermediate to advanced level, providing well-supported guidance for anyone new to vitreous enamel painting by Gillie Hoyte Byrom

Author:Gillie Hoyte Byrom [Byrom, Gillie Hoyte]
Language: eng
Format: azw3
Published: 2017-06-26T04:00:00+00:00

5.4 transfer the pencil line

5.5 fire the pencil outline at 750°C / 1382°F

5.6 the paint palette

5.7 hard white and medium white - first colour wash fired

5.8 hard white and medium white - second colour wash fired

5.9 hard white - third colour wash fired - completed enamel and medium white third colour wash fired - completed enamel

ANNA’S RESPONSE

HARD WHITE ENAMEL ON COPPER

Sharp pencil line

(accidentally over-fired).

Makes an even surface very quickly.

Before firing the colour sits in little drops on the surface.

At the beginning I couldn’t get the paint to lie on the surface evenly, the colour looks as if it has been applied through a sieve.

No burnt out edges in the kiln.

The colour sits on the surface slightly until the final firing forming a smooth finish.

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